Typically, I've had my fill of undead films. While classics like 28 Days Later and the early episodes from The Walking Dead were gripping, this category feels mostly depleted at this point. Yet the much-awaited 28 Years Later has been gathering dust on my to-watch queue for some time. But, Netflix's latest Indonesian zombie flick, The Elixir, succeeded in subvert my expectations and proved remarkably entertaining.
Superb Pacing and Character Growth
Among this movie's greatest strengths is its superb rhythm. It begins using a memorable opening sequence in which a calm family gathering gets suddenly interrupted by a vehicle plows into the guest area. From the wreckage, a very undead-looking individual emerges and begins attacking the attendees. This intense moment is immediately succeeded by a look back, allowing us to see the family prior to the tragedy occurred.
In contrast to numerous zombie films, The Elixir actually allows viewers sufficient time to become acquainted with its main characters prior to the chaos begins. There's Nes, a married mother whose former close friend, Karina, has become wed to Nes' father—an obviously uncomfortable dynamic. This has understandably caused a falling out among Nes and Karina. Then there's Nes' brother, Bang, who is good-natured but socially awkward, and he enjoys gaming alongside his nephew, Raihan. Nes' husband, Rudi, appears to have lately been unfaithful to her. The family patriarch is Nes' father, the owner of a well-known natural medicine company named Wani Waras, and he appears to care about only two aspects: his business and his marriage to his daughter's ex-best friend. Needless to say, this gathering proves incredibly tense.
Engaged in the Drama
I found myself so engrossed in the family's dynamics along with their personal conflicts that I almost forgot I was watching a horror film—something that could sound like a negative, but ultimately paid off. The Elixir dedicates a significant amount of the film depicting us the identity of every relative is, and how they contribute to the general dysfunction. This emphasis on clashing traits enabled the audience to connect with the characters enough to be concerned for their outcome—a rare accomplishment in a genre that often presents individuals just to eliminate them shortly afterwards. The Elixir doesn't treat its characters as flat, disposable victims for a horde of the undead to devour, so it's a real shock once events finally deteriorate.
Evocative of Parasite
The initial sequences from the gathering and various household exchanges actually bring to mind the movie Parasite, a tale which disguises itself like a Korean drama with slightly dark comedy prior to taking an abrupt turn toward shocking ground. These early scenes aren't centered too heavily on humor compared to Parasite, yet The Elixir still gives sufficient opportunity to settle into its world prior to everything gets upended.
Original Zombification Origin
This movie also offers a quite interesting reason regarding the origin of the spreading transformation. Instead of an accidental laboratory incident or some sort of bioweapon, the source for this infectious condition originates in a recent sample of Wani Waras natural medicines created by Nes' father. Although we do learn something regarding its origins, I wish the film had spent a little more focus on how Wani Waras transitioned from a trusted supplier of natural treatments to creating a deadly potion that appears to include a highly contagious virus. Regardless of the lack of background, the effect this affliction produces on humans proves utterly disgusting, which I love it. The Elixir's undead are fast, freaky-looking, and, perhaps worst of all, always smiling. This represents a bold choice, but it succeeds. The Elixir's practical effects and computer graphics also appear very convincing, and they're practically certain to trigger a fear of holes.
Resourceful Personalities
Even better than the disgusting moments is the cast themselves. Of course, there are a few instances of dubious decision-making (like any any good zombie movie), but generally, Nes and her family show themselves inventive and sharp. Additionally, they aren't afraid to strike a zombie in the face, pierce it using a farm tool, or hit it on the skull with whatever heavy object is available instead of freezing like a deer caught in lights while danger approaches.
Realistic Familial Discord
The Elixir doesn't drop its focus on family conflict once individuals begin transforming to the undead, this proved a pleasantly authentic deviation from that "We don't get along|"We have issues, but since you nearly died so I instantly pardon you for all your mistakes!" trope often seen in end-of-world films. It's clear, Nes loves her relatives and cares about her husband, Rudi, yet it's equally apparent she's still clinging to resentment over his betrayal in their relationship. When the family becomes split up, they agree via telephone to regroup at a nearby spot. However, once Bang admits he is unaware how to get there, Nes expresses a massive level of irritation on her brother that's clearly been brewing for years. Nes isn't perfect, and her relatives—flawed as it is—feel realistic and understandable since the movie doesn't try to push the notion that a near-death experience instantly cures familial strife. This makes the moments when these characters express gratitude toward one another feel far more sincere.
Stereotypical Ending
In spite of The Elixir's strong efforts to break new ground, the ending is admittedly a bit formulaic. The Elixir doesn't truly offering up any deep insight regarding relatives or society, either. Instead, it's primarily delivering scares. But they're successful frights, and since the movie allows every personality enough room to grow and doesn't punish them for having flaws, the result proves an engaging and enjoyable
